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Last Letter from Istanbul: Escape with this epic holiday read of secrets and forbidden love

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As the lines between enemy and friend become fainter, a new danger emerges something even more threatening than the lingering shadow of war. It’s a time of uncertainty: there are occupation forces on the streets, refugees arriving on a daily basis and everyone’s hustling to survive. Despite that, for Nur it’s also a time of increased freedom: she can go out to work as a teacher, substituting for her brother who went off to war and hasn’t returned, and she no longer needs to wear the veil when leaving the house. But this freedom is new and not without limitations: she sees the disapproving looks as she walks the streets of her city, and knows that she can only push against long-held customs and norms so much. Es una lectura algo fuerte, está escrita muy bonito y tiene descripciones muy bellas de cosas comunes, pero eso no le quita el ambiente triste que inunda la historia. Te presentan las múltiples interrogantes de un conflicto: ¿Existen soldados buenos y malos dependiendo del lado en que luchen? ¿Quién la tiene más difícil,los soldados o los civiles? ¿Es mejor para los prisioneros de guerra volver a casa y vivir con lo que pasó o morir? ¿Alguien alguna vez se recupera realmente de la guerra? As the lines between enemy and friend become fainter, a new danger emerges – something even more threatening than the lingering shadow of war. I really LOVE this author's stories. The plots can be confusing at first, but the stories are solid, especially the endings. It's nearer to literature than just a light read, I would say, but accessible enough for anyone to dive in and discover more of the world we are living in.

Last Letter From Istanbul delivers little of what is promised by the synopsis, laudatory blurbs etc. This has been hailed as a “timeless love story” riddled with “haunting secrets”, and yet the ‘romance’ to me is achingly bland, simply because the two characters in question didn’t seem to connect on any sort of emotional level. The claim to romance is specious at best. As for the ‘secrets’, the mild twist for me was far too little too late. Wir schreiben das Jahr 1921. Istanbul ist nach dem Krieg von Besatzern überlaufen. Die einst so schöne und lebendige Stadt wirkt nun grau und traurig. Viele Familien haben Verluste zu beklagen und mussten ihr Heim verlassen. Unter anderem Nur und ihre Familie. In ihrem Heim ist jetzt ein Lazarett der Britten eingerichtet. Als es Nur eines Tages dorthin zieht, lernt sie den leitenden Arzt kennen. Es scheint sich eine Art Beziehung anzubahnen, die so nicht sein darf.Last Letter from Istanbul is an evocative and emotional novel: it’s a transporting story of family ties, love and sacrifice, and the noble spirit at the heart of it all, which I came to understand and admire.

Their uniforms are clean but she sees them drenches in blood. How many men have you killed, she asks, silently….” We meet Nur, a young woman living in Constantinople- her beloved Istanbul- a city brutally overtaken by the Allied Forces. She yearns for the life she lost and is reminded daily of the changes: she sees the Allied soldiers laughing and taunting her fellow people. She is surrounded, consumed, by her justified bitterness. She knows the enemy, and judges those who refuse to see the truth, those who have accepted their great losses. But she also knows that in the face of these losses, she has tasted real freedom as well as great inequality. Lucy Foley writes with careful regard for her choice of words and it makes the story cautiously inviting. Her rich storytelling, the intricate weaving of character perspectives, but ultimately the belief and hope in humanity makes this a beautifully memorable story. Also look out for Lucy Foley’s Sunday Times bestselling crime debut, THE HUNTING PARTY, available to buy now.* Occasionally it’s the author’s writing style that sweeps the reader to a particular time and place. Such is the case with Last Letter from Istanbul where Lucy Foley’s lyrical, evocative imaginings of life in 1921 in Istanbul (renamed Constantinople by the hated allied occupiers) whisks the reader to dusty streets, to the peaceful shade of quiet gardens, to a life changed forever by war. Nur is a resourceful young widow who, having been ousted from her life of luxury and still grieving for her beloved brother who is missing in action, now finds herself caring not only for her mother and grandmother, but also for an orphaned Armenian boy.

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Weitere Personen sind der in den Krieg gezogene Bruder und ein verwaister Junge, der in Nurs neuem Heim Unterschlupf gefunden hat und um den sie sich rührend kümmert. An unassuming, kind, Scottish doctor has volunteered to serve at the local military hospital. This is the basis for a love story and dance of keeping within decorous rules which are constantly changing. Nur had never worn a veil, but it is now considered a sign of respectability in a woman who encounters the occupying enemy – even when he does her less harm than her own family.

On one of these secret visits Nur is discovered by Dr George Monroe, a medical officer in the British army and to Nur, a sworn enemy. This is not to be their first encounter and as a reader we witness how their tentative but very delicate relationship develops over a period of time. The ending in particular I found quite poignant and the book itself left me feeling quite melancholy and pondering about what I’d just read. Lucy Foley is a very effective writer and it’s definately worth reading through until the end , until you see the bigger picture.Nur has been brought up as the cossetted daughter of a wealthy Turkish man. She is more accustomed to reaching for the next fig than struggling to survive as she must do following WW1. Instead of a return to normality the bungling allies carve the map and create years of future harm, in this case by occupying what they rename as Constantinople. For the complex and touchy themes (atrocities of war, occupation, death, racism, gender, abandonment, aging) in this book, you would think it would evoke a lot of feeling in a reader. But I didn’t find I connected with any of the characters. And because I was not initially connected, I found I couldn’t really care about their plights. Last Letter from Istanbul is a compelling and sweeping tale that crosses decades and takes the reader on a captivating journey through the tumultuous history of a nation that has struggled to maintain an identity, a nation that struggles to find peace.

The descriptions of the city are raw yet lyrical, the descriptions of war brutal yet brilliantly evocative and detailed. Hard to read in parts due to the obvious reality of it all.Men are are capable of some awful things. The characters, as varied as a small Turkish boy and a Scottish doctor make this a rich tapestry of a historical read. The most precious thing in Nur’s new life is the orphan in her care – a boy with a terrible secret. When he falls dangerously ill Nur’s world becomes entwined with the enemy’s. She must return to where she grew up, and plead for help from Medical Officer George Monroe. The more we talked through the book, the characters and the plot the more it occurred how the huge themes of war, human nature, tradition, culture and love is told through a million small details in the book. The plot itself is not fast paced but each chapter we look through a window into each character and through their experience of daily life in the occupied city, we gain an understanding and an empathy with Nur, George, The Boy, The Prisoner and The Traveller . Pg 25 'Sometimes, now, the old life seems as remote as one read about in a book. But this afternoon it seems very close at hand, an assault of memory.'

This is a story of Istanbul/Constantinople in 1921 during the Allied Occupation. A sad, but beautiful ode to the people who claimed it as their own, and those who occupied it after the war. It is about a young teacher who saved one of her Armenian pupils from genocide, took care of her elderly grandmother and mother, and learnt the hard truths of what war really was from all sides. She had to come to terms with some truths that was hard to stomach...and forgive.

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